Most professional mixing and mastering engineers are working on hundreds of songs every year. No amount of talent can replace years of experience and practice. It takes years of practice to get to the level of top-notch sounding productions After that, you’re drowning in self-doubt again and question every little mixing/ mastering decision you make. Taking a couple of days off and coming back to the song for mixing and mastering can help, but only for the first few minutes. If you’ve spent that much time on a song, it’s impossible to recreate a “first impression” type of listening experience because your brain has memorized even the tiniest bit of sonic information.

You will only get relevant content, no spam, no BS. This is not uncommon by the way!īy subscribing you agree to our privacy policy I’ve seen people send me “version 65” of their song, begging me to just mix and master it so they can let go. Most upcoming electronic music producers spend weeks on a single track. You don’t see the forest for the trees anymore Also, to do a great mix or master, you need a whole different set of experiences, expensive tools, and a room with proper acoustic treatment.”Įven if I don’t necessarily subscribe to this view, there are some valid arguments against mixing and mastering your own music. You need someone else with a fresh pair of ears who can identify the weak points in your sound and get the most out of it. “If you’ve spent a lot of time on your productions already, you’re not objective enough to do the mixing and mastering yourself. The typical answer in blogs, magazines, and the one you get by most professional sound engineers will be something along these lines: So why should you even bother with the mixing and mastering of it if you can outsource it to a professional? Well, good question. Working on your composition and arrangement is hard enough.

Some valid arguments against mixing and mastering your own songs

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